AL Productions - Paintings - Tadpoles

 
Pursuing Destiny
The inspiration for this painting (48" x 84") came from two sources. Rudolf Arnheim wrote a book The Power of the Center, which is a study of how composition and vision relate in the visual arts. He presented fascinating examples of the interplay of hubs, centric and eccentric energy in a painting. Following the experience with "ants" in a genetic-programming environment (Headin Home), there seemed to be potential for a painting using swarming technology. The resulting painting, called "Pursuing Destiny," has hubs, centric and eccentric energy along with 993 swarming tadpoles.

The background for the painting was created using artificial-life ants that were selectively bred using genetic-programming. As the pattern evolved, there emerged an intriguing diagonal pattern that was saved to disk. Work then continued with the foreground. Later when attempting to retrieve the background it had inadvertently been lost.

Later, when the second background pattern (blue) began to evolve, the overall design and title became obvious. The tadpoles would emerge from the darker, bluish periphery into the light and move toward their "hub" or goal, hence the title of the painting became "Pursuing Destiny".

Pursuing Destiny - CloseupThe background uses a larger brush with a softer, wet-on-wet, color-blending technique. The foreground tadpole pattern was the result of experimenting with swarming technology and tinkering with the rules for their collective behaviors.

The actual tadpole brushstroke was fairly complex. Each stroke is unique (as are all brushstrokes Dulcinea makes). The robot wrist performs a series of complex movements to capture the tadpole gesture in a single stroke. Each tadpole represents an important "note" of directional, visual energy.

To achieve the uneven distribution within the overall swarming movement, thirty-eight hidden spheres of varying radii were dropped into the swarm space. Each sphere represented areas of repulsion, i.e. areas the tadpoles had to swim around while on their swarming journey. Thus, you can see the different radial gaps in the overall pattern.

>> See detailed brushstrokes


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